рефераты рефераты
Главная страница > Топик: Fragonard, Jean-Honoré  
Топик: Fragonard, Jean-Honoré
Главная страница
Банковское дело
Безопасность жизнедеятельности
Биология
Биржевое дело
Ботаника и сельское хоз-во
Бухгалтерский учет и аудит
География экономическая география
Геодезия
Геология
Госслужба
Гражданский процесс
Гражданское право
Иностранные языки лингвистика
Искусство
Историческая личность
История
История государства и права
История отечественного государства и права
История политичиских учений
История техники
История экономических учений
Биографии
Биология и химия
Издательское дело и полиграфия
Исторические личности
Краткое содержание произведений
Новейшая история политология
Остальные рефераты
Промышленность производство
психология педагогика
Коммуникации связь цифровые приборы и радиоэлектроника
Краеведение и этнография
Кулинария и продукты питания
Культура и искусство
Литература
Маркетинг реклама и торговля
Математика
Медицина
Реклама
Физика
Финансы
Химия
Экономическая теория
Юриспруденция
Юридическая наука
Компьютерные науки
Финансовые науки
Управленческие науки
Информатика программирование
Экономика
Архитектура
Банковское дело
Биржевое дело
Бухгалтерский учет и аудит
Валютные отношения
География
Кредитование
Инвестиции
Информатика
Кибернетика
Косметология
Наука и техника
Маркетинг
Культура и искусство
Менеджмент
Металлургия
Налогообложение
Предпринимательство
Радиоэлектроника
Страхование
Строительство
Схемотехника
Таможенная система
Сочинения по литературе и русскому языку
Теория организация
Теплотехника
Туризм
Управление
Форма поиска
Авторизация




 
Статистика
рефераты
Последние новости

Топик: Fragonard, Jean-Honoré

Топик: Fragonard, Jean-Honoré

Fragonard, Jean-Honoré

Fragonard, Jean-Honoré (1732-1806). French painter whose scenes of frivolity and gallantry are among the most complete embodiments of the Rococo spirit. He was a pupil of Chardin for a short while and also of Boucher, before winning the Prix de Rome in 1752. From 1756 to 1761 he was in Italy, where he eschewed the work of the approved masters of the High Renaissance, but formed a particular admiration for Tiepolo.

He travelled and drew landscapes with Hubert Robert and responded with especial sensitivity to the gardens of the Villa d'Este at Tivoli, memories of which occur in paintings throughout his career. In 1765 he became a member of the Academy with his historical picture in the Grand Manner Coroesus Sacrificing himself to Save Callirhoe (Louvre, Paris). He soon abandoned this style, however, for the erotic canvases by which he is chiefly known (The Swing, Wallace Collection, London, c. 1766). After his marriage in 1769 he also painted children and family scenes. He stopped exhibiting at the Salon in 1767 and almost all his work was done for private patrons. Among them was Mme du Barry, Louis XV's most beautiful mistress, for whom he painted the works that are often regarded as his masterpieces -- the four canvases representing The Progress of Love (Frick Collection, New York, 1771-73). These, however, were returned by Mme du Barry and it seems that taste was already turning against Fragonard's lighthearted style. He tried unsuccessfully to adapt himself to the new Neoclassical vogue, but in spite of the admiration and support of David he was ruined by the Revolution and died in poverty.

Fragonard was a prolific painter, but he rarely dated his works and it is not easy to chart his stylistic develop;ent. Alongside those of Boucher, his paintings seem to sum up an era. His delicate coloring, witty characterization, and spontaneous brushwork ensured that even his most erotic subjects are never vulgar, and his finest work has an irresistible verve and joyfulness.

Список литературы

Для подготовки данной работы были использованы материалы с сайта http://www.ibiblio.org/louvre/paint/

рефераты
Новости